In MAKE UP THE WORLD, filmmakers Susanne Weirich and Robert Bramkamp explore the profound impact of film props, venturing into prop warehouses like Studio Babelsberg, Delikatessen Berlin, and FTA Props in Hamburg. Each item, from lamps to paintings, embodies narratives that transcend their physical form, enriching cinematic stories from "Kolberg" to "Großstadtrevier." Through the perspective of BiPOC activist and actress Thelma Buabeng, the film also explores the post-colonial history of certain objects, such as the 16th century painting "African Woman Holding a Clock". This exploration questions the perception of African heritage in Western culture and offers a nuanced commentary on representation and identity. Blending documentary and fiction, Weirich and Bramkamp's work is a reflective journey on the significance of inanimate objects in storytelling. Through detailed examinations and fictional elements, the film uncovers the layers of meaning behind each prop, showcasing how they carry historical, cultural, and emotional weight. Critically acclaimed for its innovative storytelling and insightful narrative, MAKE UP THE WORLD invites audiences to reconsider the role of objects in film, revealing the unseen stories they tell and the forgotten histories they encapsulate. It's a testament to the unseen world of film production, urging a deeper appreciation for the seemingly insignificant.
Props play a crucial role in every movie, yet they are rarely consciously noticed - the big and small things on the set.
In MAKE UP THE WORLD, filmmakers Susanne Weirich and Robert Bramkamp explore the profound impact of film props, venturing into prop warehouses like Studio Babelsberg, Delikatessen Berlin, and FTA Props in Hamburg. Each item, from lamps to paintings, embodies narratives that transcend their physical form, enriching cinematic stories from "Kolberg" to "Großstadtrevier."
Through the perspective of BiPOC activist and actress Thelma Buabeng, the film also explores the post-colonial history of certain objects, such as the 16th century painting "African Woman Holding a Clock". This exploration questions the perception of African heritage in Western culture and offers a nuanced commentary on representation and identity.
Blending documentary and fiction, Weirich and Bramkamp's work is a reflective journey on the significance of inanimate objects in storytelling. Through detailed examinations and fictional elements, the film uncovers the layers of meaning behind each prop, showcasing how they carry historical, cultural, and emotional weight.
Critically acclaimed for its innovative storytelling and insightful narrative, MAKE UP THE WORLD invites audiences to reconsider the role of objects in film, revealing the unseen stories they tell and the forgotten histories they encapsulate. It's a testament to the unseen world of film production, urging a deeper appreciation for the seemingly insignificant.