Delving into an uncertain future and exploring the essence of life amid potential hindrances, the latest creation by Christine Moderbacher and Iris Blauensteiner unfolds through a dialogue between a mother and her unborn child. It offers a reflective look at the legacies and images that mark our tumultuous times, dominated by a global pandemic and the challenges of digital disconnection. THE WORLD IS BLUE AT ITS EDGES questions the endurance of societal and personal boundaries—such as walls, surveillance, migration, and pervasive fear—pondering their lingering impact beyond their physical demise. The film intricately intertwines the intimate journey of impending motherhood with a broader critique of society, examining the impact of digital and real-life constraints on human existence. Through a blend of dystopian digital montages and surreal day-to-day imagery, it challenges viewers to contemplate the role of images in our lives. This includes the portrayal of the unborn as yet another image in a visually saturated world, highlighting themes of alienation and the fragile continuity of life. As it concludes, the film embraces hope, suggesting that uncertainty should not deter love, creativity, or the birth of new life. Instead, it presents uncertainty as an inherent part of existence. The title symbolizes the endless possibilities that lie at the fringes of our known world. Moderbacher and Blauensteiner's work stands as a testament to human resilience and adaptability, urging a forward-looking perspective amid contemporary chaos, making a profound statement on our times.
Icons & Media Art
14min
16+
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PT
ES
EN
SV
IT
DE
A mother shares her thoughts with her unborn child. It is a glimpse into an uncertain future and yet full of hope.
Delving into an uncertain future and exploring the essence of life amid potential hindrances, the latest creation by Christine Moderbacher and Iris Blauensteiner unfolds through a dialogue between a mother and her unborn child. It offers a reflective look at the legacies and images that mark our tumultuous times, dominated by a global pandemic and the challenges of digital disconnection. THE WORLD IS BLUE AT ITS EDGES questions the endurance of societal and personal boundaries—such as walls, surveillance, migration, and pervasive fear—pondering their lingering impact beyond their physical demise.
The film intricately intertwines the intimate journey of impending motherhood with a broader critique of society, examining the impact of digital and real-life constraints on human existence. Through a blend of dystopian digital montages and surreal day-to-day imagery, it challenges viewers to contemplate the role of images in our lives. This includes the portrayal of the unborn as yet another image in a visually saturated world, highlighting themes of alienation and the fragile continuity of life.
As it concludes, the film embraces hope, suggesting that uncertainty should not deter love, creativity, or the birth of new life. Instead, it presents uncertainty as an inherent part of existence. The title symbolizes the endless possibilities that lie at the fringes of our known world. Moderbacher and Blauensteiner's work stands as a testament to human resilience and adaptability, urging a forward-looking perspective amid contemporary chaos, making a profound statement on our times.