Lutz Dammbeck

Masao Adachi, born in 1939, is a well-known Japanese scriptwriter and director who in 1974 joined the ‘Japanese Red Army’.

A film about funny and serious games, therapies of re- and self-re-education as well as the history of ideas of the permanent revolution.

While researching for the film Das Netz, Lutz Dammbeck came across the exhibition "Software. Information technology: its new meaning for art".

Lutz Dammbeck talks with Peter Lamborn Wilson (Hakim Bey) about T.A.Z., Ted Kaczynski, Islam, Marvin Minsky, Cusanus and natural philosophy.

A montage of TV images of the trial of Ted Kaczynski, better known as the "Unabomber."

What is the connection between computer technology, hippie culture, mathematics, terrorism, the research of consciousness in the 1950s and paranoia?

In the 90s, first attacks on paintings in art galleries and later bombings by German identity movement shocks Austria.

A portrait of a ‘German socialist art’ in the GDR up to the building of the wall in 1961.

The great adventure of little Duke Ernest.

At the beginning of the last century, Arno Breker was one of the great hopes of young German sculpture, esteemed by the painter Max Liebermann.

The story of Hercules is well-known: son of Zeus and Alcmene, hero and god, famous for his twelve labours.

A portrait of the artists Cornelia Schleime, Hans-Hendrik Grimmling and Hans Scheib who left the GDR for West Berlin between 1984 and 1985.

REALFilm is Lutz Dammbck's examination of film and filmmaking, a film in real time, a collage in space involving the audience.

In 1984, a group of artists occupied an exhibition center in Leipzig.

Together with the dancer Fine Kwiatkowski, Lutz Dammbeck rehearses some elements for the planned performance of his media collages.

From 3 to 7 September 1929, a congress of independent avant-garde-filmmakers took place at La Sarraz castle in Switzerland.

This film was first planned in 1976 for an interdisciplinary exhibition of six Leipzig artists called ‘Tangente I’.